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Summer-Fall 2010 Issue

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Mike Grandmaison
Discovering Canada

Mike Grandmaison

Roy Ramsay
Editor-in-Chief

Roy Ramsay

Mark Degner
Gear

Mark Degner

Dale Wilson
Beginner Basics

Dale Wilson

Darwin Wiggett
Advanced Shooter

Darwin Wiggett

Paul Burwell
Let's Go Digital

Paul Burwell

Scott Linstead
Warblings

Scott Linstead

Kelly Funk
Turning Pro

Kelly Funk

David duChemin
Travel

David duChemin

Ethan Meleg
Out of Focus

Ethan Meleg


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photo tips

Tip # 5

Give And Take
- Kelly Funk

Sport oriented imagery consists of two things: Sport and people. Without the people,
guess what? No sport, no shot. Models, good or bad can make or break the shoot, so
don't be shy when planning a shoot with people to include something sweet for their
trouble; you'd be amazed at how willing they are to help. If the shoot is compromising
their time, I'll include images that will not only make them willing to help but will
make it more fun to boot, happy models will make your bottom line happy too. Don't
be shy to approach people that you don't know either; your mouth is one of the most
important tools of our trade.

Note: images included are of people I met for the first time at the climbing site. With a
bit of sweet talk and promise of images they were all too happy to be models for a
day!

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how-to advice delivered right to your door.

Ice Climber Ascending
We Made It!!!

Above:Climbers
Location: Marble Canyon, BC
Camera: Nikon D200
Lens: Nikkor 28-70 2.8 @ f/5.6 1/100 iso 100
Other: Gitzo t-pod with Manfrotto head


Left: Climber
Location: Marble Canyon, BC
Camera: Nikon D200
Lens: Nikkor 28-70 2.8 @ f/4 1/125 iso 100 Handheld

Tip # 6

Big Skies, Wide Views, and Megapixel Images
- Darwin Wiggett

Interesting skies are important ingredients for successful landscape photos. But
skies are so big that usually you can't get everything into one photo. The solution?
Do a 'sky stitch'. In photo 1, I used a 24mm lens to capture the rocks, reflection and
horizon. But the sky above the scene also deserved inclusion in the composition. So
I tilted the camera up and photographed the sky making sure there was overlap in
the two images (photo 2). Then in Photoshop I simply stitched the two images
together to give me a big square image with a super wide view and big pixel
dimensions (photo 3).

Don't miss a thing, subscribe to the magazine today and get more of Darwin
Wiggett's how-to advice delivered right to your door.


Rocks and reflection (Photo 1)


Sky stitch (Photo 3)

All Photos -
Location: Peggy's Cove, Nova Scotia
Camera: Canon EOS-1ds Mark 11
Lens: Canon EF 24mm f3.5L TSE lens at f11
Filter: Singh-Ray Warming Polarizer Plus

Horizon (Photo 2)

TIP # 1&2TIP # 3&4TIP # 7&8TIP # 9&10TIP # 11

Singh Ray

 

Niagara School of Imaging

 

Night Stock Photo

 

Grizzly Tour

   
     
   


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