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Summer/Fall 2009 Issue


CONTRIBUTING
EDITORS

Mike Grandmaison
Discovering Canada
Mike Grandmaison

Mark Degner
Gear
Mark Degner

Dale Wilson
Beginner Basics

Darwin Wiggett
Advanced Shooter
Darwin Wiggett

Paul Burwell
Let's Go Digital
Paul Burwell

Scott Linstead
Warblings
Scott Linstead

Kelly Funk
Turning Pro
Kelly Funk

Ethan Meleg
Out of Focus
Ethan Meleg



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turning pro

Funk

Creating Stand-Out
SILHOUETTES

Pros often talk of strong, simple and emotive imagery that allows viewers and buyers to connect with them instantly. The simple fact is we have about one to two seconds to impress these people; that’s not much time. To put it bluntly, they aren’t sitting around sipping red wine debating the artistic measures of these images; it’s all about what works or what can make them money. Silhouettes do this in spades, and are often overlooked as part of a portfolio. They’re not Creating Stand-Out silhouettes only strong and simple, but given dynamic lighting, strong composition and possibly story-telling movement — coupled with other factors — they can create an extremely diverse product that’s very captivating.

A good background

Finding a clean background with character might be one of the most challenging aspects of a good silhouette — one that personifies your subject and lets it jump off the page. This brings me back to previous articles where I discussed how important scouting is. Clutter will definitely dampen the impact and pull your attention away from what you’re trying to portray, so try to keep your vision clean. Water, sky and snow are about the only backdrops that will work and sometimes water and snow are in short supply. Skies are the one thing we can all count on but a rugged environment can make this extremely difficult, so positioning yourself low often gives a better angle.

Exposure

There is one key element in exposure that can drastically change the outcome of a strong silhouette: under-exposure. And it’s easily done. Firstly, under-exposure leads to a loss of colour saturation, creating a drab, dull backdrop. Fixing this in post leads to dreaded noise and a washed-out look. By not including the sun in the frame and setting your exposure manually, and then recomposing, you can maintain those colours and character in the sky without under-exposure ...

By Kelly Funk
Contributing Editor

To read more from Kelly’s column please....

 

BIO

From very early on, Kelly Funk has made the environment a large part of his life. That love has since been blended into his professional photographic career to form a unique, fresh perspective and high-end product.

One of Kelly’s primary strengths in his work is his diversity of skills. With experience ranging from large commercial clients, advertising and tourism agencies, sports, wildlife and stock work, his technique is transferred from one application to another with an ‘out of the box’ approach that clients are drawn to. Great care and attention are paid to those clients to create the best possible result, by listening intently to their vision and working as a team to bring those visions to life.

A lifelong resident of BC, Kelly’s images have garnered him with National awards and praise from his fellow photographers. His commercial client list is extensive and his images have appeared in such publications as Canadian Geographic, BC Outdoors, Outside and Equinox magazines. He is currently the ‘Turning Pro’ Columnist and feature writer for ‘Outdoor Photography Canada Magazine’, Canada’s first Outdoor photography publication.

Understanding that one person cannot stand alone, Kelly has taken pride in associating himself with top professionals in the industry, in such capacities as: Producers, graphic- designers, publishers, editors and printers. With strong industry associates and Kelly’s relentless passion for photography, a high quality end product will always be priority one.

Please click here for Kelly's site.

 

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