Articles

Canadian Travel Shot

 

*finalists in no particular order

 

Rollo Bay Beach, PEI
Copyright @BoBC

 

Noon Parade
Copyright©Sean

 

Above Lake O'Hara
Copyright©obrienphotography 

Animals in Motion

 

*Finalists in no particular order

Fly By, or the end of a chase"
Copyright © Ulli Hoeger 

 

Hovering Common Tern
Copyright © Trooper 

 

 

Over the next few issues of OPC I will be featuring some lesser-known photographers who, in my opinion, are deserving of recognition. Here I present to you the second in our series called, “Are You the Best or the Best-Kept Secret?”


Photo: ©Andrew McLachlan  American toad

 

Award-winning blind photographer discusses two of her favourite photos

Tara Miller may be legally blind, but her mind’s eye sees 20/20. And the two photos pictured here are proof of that.

  Miller couldn’t see exactly what she was photographing in either case. She has just six percent vision in her left eye — she sees through a small “hole” surrounded by blurriness — and none in her right. But the Manitoba-based commercial photographer knew the photos she wanted to capture; she could see them in her head. And when she got home and enlarged the images by 200 percent, she wasn’t disappointed.


Illustration: ©Dale Wilson

Photo contests have been around since the days when chemistry was first introduced to develop light-sensitive cellulose — in other words, since before photography became a popular hobby in the 1930s.  

  What has changed, however, is the intended flavour of the contest. It wasn’t long ago the photo contest was a vehicle that promoted the pleasurable pursuit of photography as a hobby and rewarded excellence in craft. 


Photo: ©Darwin Wiggett

I have spent a career in photography trying to get the sharpest photos possible. I use heavy tripods, mirror lock-up, cable releases and the sharpest aperture settings possible on the best lenses I can afford. In short, I’m a sharpness freak and I’m not happy unless my images are more than knife-edge sharp! But sometimes sharpness isn’t the point because sharpness can kill the mood and emotion of a photo. Soft can be beautiful. Soft is ethereal and light; soft is inviting. So try out these four techniques to give your images a softer, more artistic rendering.


Photo: ©John E. Marriott

Like many a wildlife photographer before and after me, I had a sordid love affair with my beautiful, new 500mm telephoto lens when I first got it. The extended honeymoon lasted five glory-filled years, during which you would have been hard-pressed to see me photograph a bear, beaver or bat with anything but my big lens.

  The love coupling came to a crashing halt when I started to notice my portfolio was distinctly lacking in one category -- I hardly had any good images showing animals in their natural environment.  


Photo: ©Paul Burwell  Loon

 

There are few things more frustrating to a photographer than when their camera won’t auto focus or when it gets the focus wrong. In this column, we’ll take a look at exactly how auto focus works in today’s digital cameras and what you can do to increase the odds of getting your photos in focus the way you imagined when you made the photographs.

To read Paul Burwell's column please pick up the current issue of OPC today!

 

Winter is here again and everyone should know that snowflakes in a wildlife image can boost the drama considerably. The power of obvious atmospheric conditions in a photograph is not to be underestimated. Think of your favourite wildlife image shot during fall or winter. Now, add snowflakes. The result: a better image. But rendering snowflakes in an attractive way is difficult. Let’s have a look at some of the ways we can capitalize on this king of precipitations.

 

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